The Conductor
Leading a big group of players divided into several
departments is a very difficult process needs to master
several sciences, but it is very necessary and a must
for presenting dignified musical works in professional
and high standard level. For Salem, conducting orchestra
is a means of expression. He expresses his feelings and
ideas through performers to audience. In spite of that
great efforts he finds such non match happiness and
pleasure push him to continue. He finds that once he
turns to the audience see and hears their greetings,
clapping and encouragement all these emotion give
unspeakable impetus to communicate and keep going.
Perhaps one of the most beautiful aspects of conducting
the orchestra is that it is impossible to conduct the
same work the same way twice, thus giving a challenge
and renew, something Salem feel it and perceives in
every time involving with the orchestra and have a
public waiting for them to get rich and upgrade their
tastes and appreciation in this great challenge and a
test, but even it is worth that and more.
The conductor exercises to some extent the role of
educational or the teacher not only for the orchestra,
but for a large number of listeners and viewers, and
through the provision of understanding and perception of
the essence of the work, which leads consequently to
enrich the musical knowledge and expertise of the
recipient, provide him [i.e., recipient] another
opportunity to add knowledge, pictures, and possibly new
methods were not available to him before, whether for
several different works of one composer or multiple
composers or to the work of one composer, but the one
presented by several orchestras.
Salem 's desire to establish and conduct orchestras
started early and perhaps the fine examples that could
be mentioned in this area is the huge orchestra he
founded in Baghdad- Iraq in [1992] while he was the dean
of the Iraqi Institute for Tonal Studies, the name of
that orchestra was [Iraqi Musical Heritage Orchestra]
IMHO , perhaps it was the biggest orchestra for the
heritage in the whole world.
It was made up of more than [350] - Three hundred and
fifty members - of the players of instrumental and vocal
performances. Salem was aware and knowing very well the
antiquity, the diversity and richness of the musical
heritage of Iraq because Iraq is consist of several
nationalities so he put the goal of establishing this
orchestra to provide examples of that musical heritage.
The [IMHO] presented one concert only on the big hall of
the Babylonian stage during the activities of the Babel
International Festival. [
click to see], the concert get great success
[click to see] and
Salem conduct while performing Oud with that orchestra
[click to see].
Salem continued relationship with groups and orchestras
but has evolved considerably with the Symphony
Orchestra, where various construction, a variety of
colors and sound and capabilities richer and more
expression.
Early and since the first time he conduct the symphony
orchestra and that was in Baghdad with the Iraqi
National Symphony Orchestra until now with [SAKO] he
feels every time that he, the orchestra and the
audiences contributes altogether in making a unique
experience,
taking the receiver outside the boundaries of space and
time and roaming the most beautiful world of the spirit,
conscience, feelings and emotions .. the world of music.